This past weekend, music lovers in Knoxville were treated to an unforgettable experience at the Knoxville Symphony Orchestra (KSO) concerts. Under the expert guidance of conductor Aram Demirjian, the evening unfolded as a delightful showcase, dazzling attendees with the exceptional talents of individual musicians. From dramatic solo performances to electrifying orchestral moments, this program had it all!
Demirjian, in his opening remarks, set the stage for what promised to be a concert full of captivating pieces that provided rich opportunities for the KSO’s musicians. Talking specifically about the spotlight on the orchestra’s players, he did not disappoint! The variety in this concert’s program featured five distinct works, creating a superb auditory feast for everyone in attendance. Among the highlights were two masterpieces by the famed composer Igor Stravinsky: the Firebird Suite and the Violin Concerto.
Concertmaster William Shaub took center stage as the soloist in the Violin Concerto, introducing audiences to this exhilarating composition that isn’t performed often. In true style, Shaub navigated through the work’s narrative complexity, helping kindle interest in Stravinsky’s storytelling abilities. Near the end of the Thursday performance, a dramatic moment occurred when Shaub experienced a string break! But no worries—he smoothly exchanged violins with acting concertmaster Gordon Tsai, maintaining the rhythm and momentum of the piece flawlessly. You could feel the audience hold its breath, only to burst into applause afterward!
The concert’s centerpiece, the Firebird Suite, produced in 1919, earned a well-deserved highlight. This piece fits snugly into the “post-Romantic” category, known for its fiery passion and dynamic contrasts. It’s drawn from traditional Russian folk tales featuring magical creatures and evocative landscapes. Listening to this suite was like being transported to an enchanting fairy tale, with each movement showcasing exuberant dance themes and curious melodies. The KSO executed it with such vitality that you couldn’t help but feel the thrill!
Throughout the performance, different sections of the orchestra enjoyed their own shining moments. Steve Benne, the principal bassist, led off with an unexpected soft opening that stirred a sense of mystery and anticipation. Then, Jeffery Whaley, on the horns, delivered heroic solos that were nothing short of breathtaking. Flute, oboe, clarinet, and bassoon players each had stunning passages that reinforced the unity and beauty of the KSO. No part of the orchestra seemed overlooked—each musician showcased their flair, all under the watchful eye of Demirjian.
The concert sweetened its opening with John Williams’s “Hedwig’s Theme” from the Harry Potter films, a choice that felt refreshing and exhilarating as it flowed into Debussy’s Prelude to the Afternoon of a Faun. Each transition prepared the audience for an array of emotions. Another intriguing addition came from Lera Auerbach’s composition, Icarus, which seamlessly dovetailed into the Firebird Suite. Auerbach’s abstract music inspired audiences to use their imaginations, drawing on personal memories and associations.
As the night wound down, the anticipation built up to a crescendo, leading to a climactic finale that left the crowd in awe. It was one of those moments where you just can’t help but join in the applause, and as the echoing sounds of the concert lingered, many attendees undoubtedly found themselves caught in the spell of the music.
So there you have it, a night of music that not only showcased the talented musicians of the KSO but also created a deeply enriching experience for all. Without a doubt, the magic of the Knoxville Symphony Orchestra remains a highlight of the city’s vibrant arts scene!
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